Rawhide (2003)

The blonde woman has short hair and a slim frame, locking lips with a dark-haired guy in a dimly lit bedroom right from the start. They’re in bed, close up — her hand on his chest, both fully clothed but clearly into it. That same blonde later shows up in a car, this time with a different guy, muscular with short dark hair; they’re making out on the seat, windows fogged, clothes half-off. The scene shifts outdoors — she’s now in the woods with a guy in his 30s, both wrapped up tight, close-up shots showing full lips and heavy breathing. Another scene has three guys in their 30s around a campfire, just sitting, not talking, all brunettes, all built. Finally, one of the men is alone in a stable, stroking a horse’s neck, long dark hair, dim lighting, tight close-up on his hand and the animal. No full nudity, but the intimacy feels real, not staged.