Titillation (1982)

The girl’s small frame and curly blonde hair stand out as she’s pulled into a tight embrace near the bed, clothes coming off quickly. She’s got a visible tattoo somewhere on her upper body, not too big, just below the shoulder. Once naked, they move to the bed in a wide shot showing the whole cluttered room—dim light from a lamp, messy table, window slightly open. Most of the action is up close: grinding, soft biting, hands all over. She’s on her back, then sideways, sometimes propped up on her elbows while he pushes into her from behind. The guy is lean, short brown hair, looks in his 20s, same as her. No dialogue, just breathing and quiet moans. One cutaway shows him earlier in the day — older, maybe early 30s, muscular, making a drink at a bar in bright light, but returns to the bedroom scene later. Another brief shot shows the girl alone, now in a classroom, standing near a chalkboard looking tense, but it’s unclear if it’s a flashback or separate scene. The sex isn’t fast or rough — it’s slow, personal, with long holds on skin contact and facial expressions. Camera lingers on her face during close-ups, especially when she closes her eyes mid-motion. Lighting stays low throughout the intimate parts, giving a hazy, private vibe.