X-factor (1984)

The girl’s long brown hair and slim frame stand out immediately, especially in the close-up shots where she’s topless in a dim bedroom, facing the camera. The guy is muscular with short brown hair, clearly in his 20s, and they start outdoors on a city street in front of a butcher shop, just making out like they’re in a relationship. Then it cuts to the bedroom — doggy style, deep thrusts, you can see her back muscles tense with each push. They’re also shown in a pool, hugging and kissing in daylight, wearing swimsuits, surrounded by lounge chairs. Later, they’re inside a hospital-looking room, on a real medical bed with equipment in the background, still kissing like it’s part of some fucked-up fantasy. The transitions between locations feel random but keep it interesting — not your typical bedroom-only setup. The lighting varies from bright daylight in the pool to low indoor glows, giving a natural, almost cinematic flow. No faces are ever blocked, and the camera stays close during the action, especially when she’s on all fours. The entire thing feels staged but authentic in how they move — not robotic like some amateur stuff.